克里奧爾弗利亞舞曲（Folías Criollas）（以及《西班牙的弗利亞舞曲》）：薩瓦爾對「弗利亞舞曲」主題的探索，這是一種流行的音樂模式，跨越了不同的文化和世紀，包括其「克里奧爾」變奏。
Folías Criollas (and Folías de España): Savall's exploration of the "Folia" theme, a popular musical pattern, across different cultures and centuries, including its "criolla" (Creole) variations.
喬迪·薩瓦爾（Jordi Savall i Bernadet），生於1941年，是西方早期音樂界的一位傑出人物。這位西班牙指揮家、作曲家，尤其是一位精湛的維奧爾琴演奏家（特別是大提琴），一生致力於重新發現、研究和演奏中世紀、文藝復興、巴洛克時期，甚至是古典時期的被遺忘的音樂瑰寶。
他長達五十多年的職業生涯，對於推廣已 largely 廢棄的維奧爾琴家族樂器功不可沒。薩瓦爾的音樂方法獨具特色，他將嚴謹的歷史準確性與充滿活力、情感豐富的表演完美結合。他不僅僅是復興，更是對歷史音樂的「富於想像力的重新激活」。
1974年，他與已故的妻子、女高音蒙特塞拉特·菲格拉斯共同創立了Hespèrion XXI樂團（原名Hespèrion XX）。隨後，他於1987年創立了La Capella Reial de Catalunya（一個專注於18世紀以前音樂的聲樂團），並於1989年創立了Le Concert des Nations（一個古樂器樂團）。通過這些樂團以及他豐富的錄音作品（超過230張唱片，許多由他自己的唱片公司Alia Vox於1998年發行），薩瓦爾將大量多元的曲目帶給了全球數百萬聽眾。
他國際聲譽的顯著提升，來自於他為阿蘭·科爾諾1991年電影《日出時分》（Tous les Matins du Monde）原聲帶的卓越貢獻，該電影圍繞法國巴洛克作曲家馬蘭·馬雷和聖科隆布先生的生活展開。除了音樂成就，薩瓦爾還因其通過音樂促進跨文化對話的努力而受到認可，他與來自不同背景的音樂家合作，探索來自全球各地的音樂遺產。他於2008年被任命為聯合國教科文組織「和平藝術家」，並擔任歐盟跨文化對話大使。
以下是喬迪·薩瓦爾經常提及的10首相關音樂作品或計畫：
《金絲雀》（Canarios）：這首活潑的曲子通常歸因於加斯帕爾·桑斯或某位匿名作曲家，是薩瓦爾曲目中的主要作品，也經常在他的音樂會上被點播。他對《金絲雀》的即興演奏尤其受到讚譽。
《日出時分》電影原聲帶中的音樂：這包括馬蘭·馬雷的作品（如《聖熱訥維耶沃山鐘聲》、《西班牙的弗利亞舞曲》）和聖科隆布先生的作品（《兩把低音維奧爾琴協奏曲》）。這部電影的成功使得這些作品廣為人知。
蒙特塞拉特紅書（Llibre Vermell de Montserrat）：來自西班牙蒙特塞拉特修道院的中世紀歌曲和舞蹈集。薩瓦爾的錄音將這獨特而充滿活力的曲目重新煥發生機。
塞法迪羅曼史/塞法迪猶太音樂：薩瓦爾和Hespèrion XXI樂團廣泛探索並錄製了塞法迪猶太人豐富的音樂遺產，突顯了地中海的文化交匯點。
克里奧爾弗利亞舞曲（Folías Criollas）（以及《西班牙的弗利亞舞曲》）：薩瓦爾對「弗利亞舞曲」主題的探索，這是一種流行的音樂模式，跨越了不同的文化和世紀，包括其「克里奧爾」變奏。
伊斯坦堡/耶路撒冷/亞美尼亞/巴爾幹地區的音樂：薩瓦爾的項目經常深入探討特定地區的共同音樂歷史，展示了塑造其聲音的多元傳統和影響。
巴赫：《為維奧爾琴與大鍵琴而作的奏鳴曲》：這部維奧爾琴的奠基性作品，薩瓦爾的詮釋因其深度和敏感性而備受推崇。
克勞迪奧·蒙特威爾第：《聖母晚禱》（Vespro della Beata Vergine）和**《奧菲歐》**：薩瓦爾與La Capella Reial de Catalunya和Le Concert des Nations樂團，對蒙特威爾第的宗教和歌劇傑作的演出和錄音做出了重大貢獻。
西班牙黃金時代的音樂：他的錄音作品經常收錄文藝復興和巴洛克時期西班牙作曲家的作品，包括那些與宮廷生活和流行傳統相關的作品。
迭戈·奧爾蒂斯：《即興變奏曲》（Recercadas）：這些為維奧爾琴而作的華麗即興曲和流行曲調變奏曲，展示了薩瓦爾的精湛技藝和即興創作才能。
Jordi Savall i Bernadet, born in 1941, is a towering figure in the world of Western early music. A Spanish conductor, composer, and, most notably, a virtuoso viol player (especially of the viola da gamba), Savall has dedicated his life to the rediscovery, research, and performance of forgotten musical treasures from the medieval, Renaissance, Baroque, and even Classical periods.
His career, spanning over fifty years, has been instrumental in popularizing the viol family of instruments, which had largely fallen into oblivion. Savall's approach is characterized by a remarkable blend of rigorous historical accuracy and vibrant, emotional performance. He's not just about revival, but "imaginative reanimation" of historical music.
In 1974, he co-founded the ensemble Hespèrion XXI (originally Hespèrion XX) with his late wife, soprano Montserrat Figueras. He later went on to found La Capella Reial de Catalunya (a vocal ensemble focused on pre-18th-century music) in 1987, and Le Concert des Nations (a period-instrument orchestra) in 1989. Through these ensembles and his extensive recording career (over 230 discs, many on his own label, Alia Vox, founded in 1998), Savall has brought a vast and diverse repertoire to millions of listeners worldwide.
A significant boost to his international recognition came from his acclaimed contribution to the soundtrack of Alain Corneau's 1991 film "Tous les Matins du Monde," which centered on the lives of French Baroque composers Marin Marais and Monsieur de Sainte-Colombe. Beyond his musical achievements, Savall is also recognized for his efforts in promoting intercultural dialogue through music, collaborating with musicians from diverse backgrounds and exploring musical heritages from across the globe. He was appointed a UNESCO "Artist for Peace" in 2008 and a European Union Ambassador for intercultural dialogue.
Here are 10 often-mentioned music pieces or projects associated with Jordi Savall:
"Canarios": This lively piece, often attributed to Gaspar Sanz or an anonymous composer, is a staple in Savall's repertoire and a frequent request at his concerts. His improvisational performances of "Canarios" are particularly celebrated.
Music from "Tous les Matins du Monde" Soundtrack: This includes works by Marin Marais (such as Sonnerie de Ste Geneviève du Mont-de-Paris, Les Folies d'Espagne) and Monsieur de Sainte-Colombe (Concertos for Two Bass Viols). The film's success made these pieces widely known.
Llibre Vermell de Montserrat: A collection of medieval songs and dances from the Montserrat monastery in Catalonia, Spain. Savall's recordings bring this unique and vibrant repertoire to life.
Sephardic Romances/Music of the Sephardic Jews: Savall and Hespèrion XXI have extensively explored and recorded the rich musical heritage of the Sephardic Jews, highlighting the cultural crossroads of the Mediterranean.
Folías Criollas (and Folías de España): Savall's exploration of the "Folia" theme, a popular musical pattern, across different cultures and centuries, including its "criolla" (Creole) variations.
Music of Istanbul/Jerusalem/Armenia/The Balkans: Savall's projects often delve into the shared musical histories of specific regions, showcasing the diverse traditions and influences that have shaped their sounds.
J.S. Bach: Sonatas for Viola da Gamba and Harpsichord: A foundational work for the viola da gamba, Savall's interpretations are highly regarded for their depth and sensitivity.
Claudio Monteverdi: Vespro della Beata Vergine (Vespers) and L'Orfeo: Savall, with La Capella Reial de Catalunya and Le Concert des Nations, has made significant contributions to the performance and recording of Monteverdi's sacred and operatic masterpieces.
Music of the Spanish Golden Age: His recordings often feature works by Spanish composers from the Renaissance and Baroque periods, including those associated with courtly life and popular traditions.
Diego Ortiz: Recercadas: These virtuosic improvisations and variations on popular tunes for viol are a showcase for Savall's technical mastery and improvisational flair.
7/16古典 "Canario" 《加納里奧》Traditional Music Version by Jordi Saval (born 1941),Summer 2011@Shenzhen
https://youtu.be/8duskJaKiZ4?si=WFMmaag8mlehxUTD