《玄秘曲》第一首 埃里克·薩蒂(1866-1925) "Occult Piece" No. 1 Eric Satie (1866-1925) Gnossienne- No. 1 (Erik Satie) 《玄秘曲》第一首 埃里克·薩蒂(1866-1925) 3:34 42.8 埃里克·薩蒂 (Eric Satie) 的《Occult Piece》No. 1 是一首引人入勝的作品，深入探討了薩蒂音樂的神秘世界。 埃里克·薩蒂 (Eric Satie) 出生於 1866 年，去世於 1925 年，是一位法國作曲家和鋼琴家，以其創新和非傳統的音樂方法而聞名。 雖然他因“裸體舞蹈”而聞名，但“神秘作品”No.1 展示了他創作天才的另一個方面。 薩蒂作品的一個有趣的方面是他對神秘和深奧的探索。 他的作品“Occult Piece”No. 1 與他創造的一種音樂形式“gnossienne”有關，可能受到諾斯替派或約翰·德萊頓翻譯維吉爾《埃涅阿斯紀》的詩意靈感的影響。 這句台詞“讓我們探索天堂引導我們的土地：平靜風，找到神秘的王國”，暗示著踏上精神之旅的邀請，就像諾斯替教對靈知或精神知識的追求一樣。 1893年出版於《費加羅》九月音樂雜誌的《神秘音樂集》代表了對傳統音樂結構的背離。 薩蒂的音樂擺脫了節拍和小節線的束縛，呼應了他在《裸體舞》中採取的激進方法。 這種前衛精神引起了他同時代人的共鳴，其中包括巴勃羅·畢加索、讓·谷克托和謝爾蓋·佳吉列夫等著名合作者。 在曼·雷、康斯坦丁·布朗庫西和馬塞爾·杜尚等標誌性前衛藝術家的陪伴下，薩蒂在 20 世紀藝術界發揮了核心作用。 他的極簡主義和冥想音樂風格預示著即將到來的極簡主義革命。 薩蒂的忠實支持者約翰·凱奇曾評價說：“這不是薩蒂重要性的問題，他是不可替代的”，凸顯了薩蒂對現代音樂獨特而持久的影響。 諾斯替主義是一種通過“靈知”尋求精神啟蒙和從物質世界中解放出來的信仰體系，在薩蒂的神秘作品中找到了呼應。 這種精神追求雖然常常與基督教根源聯繫在一起，但在不同的宗教取向中有不同的解釋。 英國著名詩人和翻譯家約翰·德萊頓通過翻譯維吉爾史詩，對薩蒂的創作產生了影響。 與此同時，曼·雷、康斯坦丁·布朗庫西和馬塞爾·杜尚等與超現實主義和現代主義相關的藝術家為薩蒂的作品蓬勃發展的更廣泛的文化背景做出了貢獻。 從本質上講，埃里克·薩蒂的《Occult Piece》No.1 和他的整體作品證明了他超越傳統界限並探索藝術和音樂的神秘和非傳統方面的能力。 他對 20 世紀前衛運動的影響以及他在極簡主義音樂中的先鋒作用至今仍繼續激勵著藝術家和音樂家，使他成為現代藝術和音樂世界中不朽的人物。 "Occult Piece" No. 1 by Eric Satie is a fascinating composition that delves into the enigmatic world of Satie's music. Born in 1866 and passing away in 1925, Eric Satie was a French composer and pianist known for his innovative and unconventional approach to music. While he gained fame for his "Nude Dance," "Occult Piece" No. 1 showcases another facet of his creative genius. One intriguing aspect of Satie's work is his exploration of the mystical and esoteric. His composition "Occult Piece" No. 1 bears a connection to the gnossienne, a musical form he created, possibly influenced by the Gnostics or the poetic inspiration of John Dryden's translation of Virgil's "Aeneid." The line, "Let us explore the land where heaven guides us: Calm the wind and find the mysterious kingdom," suggests an invitation to embark on a spiritual journey, much like the Gnostic quest for gnosis, or spiritual knowledge. The "Mystical Music Collection," published in the September music magazine of "Figaro" in 1893, represents a departure from conventional musical structures. Satie's music liberated itself from the constraints of meter marks and barlines, echoing the radical approach he took with "Dance Nude." This avant-garde spirit resonated with his contemporaries, including notable collaborators like Pablo Picasso, Jean Cocteau, and Sergei Diaghilev. In the company of iconic avant-garde artists such as Man Ray, Constantin Brancusi, and Marcel Duchamp, Satie played a central role in the 20th-century art scene. His minimalist and meditative musical style foreshadowed the minimalist revolution to come. John Cage, a loyal supporter of Satie, once remarked, "It is not a matter of Satie's importance. He is irreplaceable," highlighting Satie's unique and lasting influence on modern music. Gnosticism, a belief system that seeks spiritual enlightenment and liberation from the material world through "Gnosis," finds echoes in Satie's mystical compositions. This spiritual quest, though often associated with Christian roots, has various interpretations within different religious orientations. John Dryden, a prominent British poet and translator, played a role in shaping Satie's creative influences through his translation of Virgil's epic. Meanwhile, artists like Man Ray, Constantin Brancusi, and Marcel Duchamp, who were associated with surrealism and modernism, contributed to the broader cultural context in which Satie's work thrived. In essence, Eric Satie's "Occult Piece" No. 1 and his overall body of work serve as a testament to his ability to transcend conventional boundaries and explore the mystical and unconventional facets of art and music. His impact on the 20th-century avant-garde movement and his pioneering role in minimalist music continue to inspire artists and musicians to this day, making him an enduring figure in the world of modern art and music. Reference: 7/1古典 Gymnopédie No 1 Erik Satie (Harvard University 哈佛大學) https://youtu.be/V9DX3dHRBQs?si=UWn04sXrPIT7ydq- 8/12 古典 "In A Landscape" (John Cage )《入畫》約翰·凱奇(1912-1992 美國作曲家) https://youtu.be/5zM1Fc6F4KY?si=Gfmr0YqgdMZ3gQka
"I Long for You" by Eric Satie (1866-1925) CD: Je te veux (Piano version) Erik Satie, I want you Boston Freetrail(Boston park) Eric Satie (1866-1925) is the most famous genius and eccentric in the history of classical music, who has maintained a unique personality from the beginning to the end, and has created the most beautiful cabaret songs. This sensual and soulful waltz, with lyrics by Henry Pacory, was written by Satie for his friend Paulette Darty, Satie's frequent collaborator and director of Montmartre. The legendary singer, known as the "Queen of the Lyric Waltz" by the world. “Je te veux”是一首迷人而動人的歌曲，由 Erik Satie 創作，他是 20 世紀早期音樂界最獨特、最具影響力的人物之一。 “Je te veux”寫於 1897 年，成為薩蒂最受歡迎和經久不衰的作品之一，展示了他獨特的音樂風格和創造令人難忘的旋律的能力。 薩蒂以其非傳統的作曲方法和打破傳統音樂結構局限的願望而聞名。 他與被稱為“Les Six”的藝術運動有關，該運動旨在通過擁抱流行文化元素並拒絕晚期浪漫主義的複雜性，為法國音樂帶來新鮮和簡單。 “Je te veux”是薩蒂極簡主義和抒情風格的典範。 歌曲作詞簡單直白，旋律線條柔情懷舊。 它以柔和流暢的鋼琴伴奏為特色，與人聲旋律完美相襯，營造出親密而憂鬱的氛圍。 《Je te veux》的歌詞出自詩人亨利·帕科里之手，為薩蒂的音樂增添了一層詩意的深度。 這首歌說出了思念和渴望，表達了對失去的愛的思念。 歌詞與薩蒂動人的旋律相結合，喚起了一種渴望和浪漫的渴望。 “Je te veux”的迷人之處之一是薩蒂對和聲和和弦的運用。 他採用簡單的全音階和聲，偶爾帶有微妙的半音變化，營造出一種情感豐富的感覺。 薩蒂 (Satie) 的和聲雖然看似簡單，但具有獨特的風味，增加了作品的魅力和獨特性。 “Je te veux”作為聲樂作品和器樂編曲都廣受歡迎。 它已被無數藝術家演奏和錄製，展現了其經久不衰的魅力。 這首歌的溫柔之美和喚起情感反應的能力使其成為法國香頌和藝術歌曲曲目中備受喜愛的曲目。 雖然“Je te veux”作為薩蒂更容易理解和商業上成功的作品之一脫穎而出，但它也體現了他的非傳統精神以及他在音樂中擁抱簡單和直接的意願。 這首歌抓住了薩蒂藝術視野的精髓，讓我們得以一窺這位 20 世紀音樂界最迷人人物之一富有想像力且常常神秘莫測的世界。 總的來說，埃里克·薩蒂 (Erik Satie) 的《Je te veux》是一首引人入勝、情感共鳴的作品，展示了作曲家創作優美而有深度的旋律的能力。 它經久不衰的流行證明了薩蒂作為作曲家的天才以及他用音樂打動聽眾心靈的能力。 "Je te veux" is a charming and evocative song composed by Erik Satie, one of the most unique and influential figures in the early 20th-century music. Written in 1897, "Je te veux" became one of Satie's most popular and enduring compositions, showcasing his distinctive musical style and his ability to create memorable melodies. Satie was known for his unconventional approach to composition and his desire to break away from the confines of traditional musical structures. He was associated with the artistic movement known as "Les Six," which aimed to bring freshness and simplicity to French music by embracing elements of popular culture and rejecting the complexity of late Romanticism. "Je te veux" is a prime example of Satie's minimalist and lyrical style. The song is written in a simple and straightforward manner, with a melodic line that is both tender and nostalgic. It features a gentle and flowing piano accompaniment that perfectly complements the vocal melody, creating an intimate and melancholic atmosphere. The lyrics of "Je te veux" were penned by the poet Henry Pacory and add a layer of poetic depth to Satie's music. The song speaks of longing and desire, expressing the yearning for a lost love. The lyrics, combined with Satie's emotive melody, evoke a sense of wistfulness and romantic longing. One of the fascinating aspects of "Je te veux" is Satie's use of harmonies and chords. He employs simple and diatonic harmonies, with occasional subtle chromatic shifts, to create a sense of emotional richness. Satie's harmonies, although seemingly straightforward, have a distinctive flavor that adds to the allure and uniqueness of the composition. "Je te veux" gained popularity both as a vocal piece and as an instrumental arrangement. It has been performed and recorded by countless artists, showcasing its enduring appeal. The song's gentle beauty and its ability to evoke an emotional response have made it a beloved piece in the repertoire of French chanson and art song. While "Je te veux" stands out as one of Satie's more accessible and commercially successful compositions, it also exemplifies his unconventional spirit and his willingness to embrace simplicity and directness in his music. The song captures the essence of Satie's artistic vision, offering a glimpse into the imaginative and often enigmatic world of one of the most intriguing figures in 20th-century music. Overall, "Je te veux" by Erik Satie is a captivating and emotionally resonant composition that showcases the composer's ability to create melodies of exquisite beauty and depth. Its enduring popularity is a testament to Satie's genius as a composer and his ability to touch the hearts of listeners with his music.
